Director: Clint Eastwood
Cast: Clint Eastwood, Sondra Locke, Pat Hingle, Bradford Dillman
Have I Seen it Before: Nope.
Did I Like It: I go into this one not with hype in my head, but a strange amount of comfort with Harry Callahan and his world. What’s more, Eastwood directs here for the only time in the series. Who knows Callahan and his strange mix of gruff recalcitrance and underlying decency better than the man who probably still is largely identified with the role?
And yes, Eastwood is probably most at ease in this film, but that makes the entire film seem distracted. Maybe he was a little too in love with Sandra Locke and decides to spend too much time focusing on her. Plenty of directors, and more than a few stars have fallen victim to the pitfalls of romantic nepotism, but Locke sleep walks through a role that feels like it at least needs to alternate between borderline-catatonic and scene-chewing manic.
Maybe it’s just that this is a down-note entry in the series between The Enforcer (1976) where Eastwood is able to be so relaxed that he actually got to be a bit funny, and The Dead Pool (1988), a weird—purely hypothetical for me at this point—pop cultural amalgamation. It’s entirely possible I’m being too hard on Sudden Impact. A series that goes five films without having any entries that aren’t willfully embarrassing is probably a treasure to behold. Star Trek couldn’t manage that feat. Maybe Dirty Harry is allowed to have an off day.
And now it’s just me and The Dead Pool. I strangely can’t wait. With it’s weird alchemy of Eastwood, Liam Neeson, Jim Carrey (before he started talking out of his ass) and the guys who voices Mario? There’s no possibility this thing will ever live up to the hype I created entirely in my head.
