Jurassic World Dominion (2022)

Director: Colin Trevorrow

Cast: Chris Pratt, Bryce Dallas Howard, Sam Neill, Laura Dern

Have I Seen it Before: Nope, although after those reviews opening weekend, my speed in wanting to watch diminished more than a bit.

Did I Like It: I’m glad that the movie has bad reviews, because it allowed me to go in with the lowest possible expectations. Is this the worst of all possible Jurassic movies? Almost certainly. Did I have something approaching a good time with it? Also, yes.

Many will complain (and fairly so) that the movie is only barely about dinosaurs, instead cooking up an often convoluted plot surrounding corporate intrigue, the vagaries of genetic research, and locusts. A bill of false goods, possibly, but anyone who has read the original Crichton novel would recognize some ideas brought to their perhaps incredulous conclusion. As I read that preceding paragraph, I’m not entirely sure I’m happy about this direction or not. I’ll only commit to the view that I don’t reflexively hate it as much as others might.

Any film that would give me this much Ian Malcolm (Jeff Goldblum) is at least something of a winner. I’m looking in your direction, <Jurassic World: Fallen Kingdom (2019>. The other legacy characters are a welcome treat, but I’m inevitably thinking about a far better film each and every time Neill and Dern share the frame. A film that would have been wall-to-wall these characters might have still been a letdown from previous entries in the series, but the film is at its most alive in those moments.

And that quality is in stark contrast to the lukewarm continuation of Pratt and Howard’s characters that make up the other half of the film. Most of Fallen Kingdom fell out of my head by the time I hit the parking lot, so offering us continuation of those themes never seemed like more than a drag. I honestly can’t remember the Pratt character’s name even now. I want to say Skip Burtman? Something tells me we won’t have to endure a legacy-legacy sequel in thirty years where Pratt and Howard sort out their issues and find golden year happiness.

But do you want to know what really irritates me about the movie? Locusts? I’m fine? Raptor trainer Biff Motorcyclovitz tries my patience on the way to becoming a better adoptive father? I can imagine there might be a fan of Fallen Kingdom who exists and would feel cheated without a third act to that story.

No, I can’t stand the beginning and ending of this movie. In recent years, there has been a trend of “The Ending of (insert movie here) explained” videos on YouTube where some smarmy jag with a Blue microphone* goes over the ending of every big movie and explains it to you, just in case you were unable to wrap your head around the intricacies of a movie geared toward ten-year-olds. They are deeply an unrelentingly irritating. The good news is that there is no need for such a video where Dominion is concerned. Trevorrow and company have included it right in the runtime! A movie is usually in trouble when it has to have a voice over to open and close things (you’ll notice <Jurassic Park (1993)> didn’t need one) but we have no entered the age when we apparently need a Youtube video to tuck is in before and after a movie.

We really don’t.

*As a smarmy jag with a few Blue microphones myself, I feel justified in that assessment.

Jurassic Park (1993)

Director: Steven Spielberg

Cast: Sam Neill, Laura Dern, Jeff Goldblum, Richard Attenborough

Have I Seen It Before?: I mean, I’m a child of the 90s and I like movies. How would I have gotten through my life without this movie?

Did I like it?: It’s only gotten better over the years.

I came to a revelation during my recent review for Indiana Jones and the Kingdom of the Crystal Skull (2008). With this film, Spielberg exorcised most of the populist impulses that had made his career. Sure, you have this film’s sequel, The Lost World (1997), and the aforementioned fourth Indiana Jones film, but those both seemed like chores Spielberg relented to, rather than films he was that interested in making. Double that sentiment for Ready Player One (2018). Perhaps he was indulging a return to form with the animated The BFG (2016), but I’ll let you know when I get around to seeing it.

But what a valedictory run this is. Every element works and became the standard for blockbuster movies to the present. The special effects have mostly not aged in over 25 years. I say that, but what I mean is that the physical effects (mostly by Stan Winston) still look like real things, which will keep this film working decades from now. The leading-edge computer images fare a little less well. Large tableaus of dinosaurs interacting with (read: eating) each other work pretty well, but any time ILM uses their tools to venture into the undiscovered country of the close-up, or if their sprites and polygons deign to interact with humans, the seams begin to show. It’s hard to be too critical of either Spielberg or the movie for this, as they were trying things that had never been tried before. However, with the knowledge that George Lucas saw this film and decided his own technology had finally elevated to the point where he could go back and make his long-gestating Star Wars prequels, well… the judgment of movie history might have

My wife points to this as John Williams best score, and I’m at a loss to argue the point. I’m also at a loss to come up with a theme that Williams has written since that was as memorable as the march he concocted with this movie. Everybody behind the scenes was going for broke here, it seems.

And yet the thing I am most tickled by during this, quite possibly my 100th viewing of the film—are the non-tech questions. The movie may be peak-Jeff Goldblum, and even when his character, Ian Malcolm, is vacillating quickly between smarm and snark, one can’t help but be amused by him. The movie might have worked had it just been him, and if Jurassic World: Fallen Kingdom (2018) had gone for that, it might have been a lot more satisfying.