Party Now, Apocalypse Later Industries

Where creativity went when it said it was going out for cigarettes.
  • Home
  • BOOKS
    • THE ONCE AND FUTURE ORSON WELLES
    • IF ANY OF THESE STORIES GOES OVER 1000 WORDS...
    • ORSON WELLES OF MARS
    • THE DEVIL LIVES IN BEVERLY HILLS
    • A LOSS FOR NORMALCY
    • RIGHT - A NOVEL OF POLITICS
  • PODCASTS
    • Beyond the Cabin in the Woods
    • THE HOLODECK IS BROKEN
    • THE FOURTH WALL
    • As The Myth Turns
    • FRIENDIBALS! - TWO FRIENDS TALKING ABOUT HANNIBAL LECTER
    • DISORGANIZED! A Criminal Minds Podcast
  • MOVIE REVIEWS
  • BLOGS AND MORE
    • Bloggy B Bloggington III, DDS
    • THE HOLODECK IS BROKEN BLOG
    • REALLY GOOD MAN!
  • Home
    • THE ONCE AND FUTURE ORSON WELLES
    • IF ANY OF THESE STORIES GOES OVER 1000 WORDS...
    • ORSON WELLES OF MARS
    • THE DEVIL LIVES IN BEVERLY HILLS
    • A LOSS FOR NORMALCY
    • RIGHT - A NOVEL OF POLITICS
    • Beyond the Cabin in the Woods
    • THE HOLODECK IS BROKEN
    • THE FOURTH WALL
    • As The Myth Turns
    • FRIENDIBALS! - TWO FRIENDS TALKING ABOUT HANNIBAL LECTER
    • DISORGANIZED! A Criminal Minds Podcast
  • MOVIE REVIEWS
    • Bloggy B Bloggington III, DDS
    • THE HOLODECK IS BROKEN BLOG
    • REALLY GOOD MAN!

A Blog About Watching Movies (AKA a Blog in Search of a Better Title)

Dune (2021)

Mac Boyle March 9, 2024

Director: Denis Villeneuve

Cast: Timothée Chalamet, Rebecca Ferguson, Oscar Isaac, Josh Brolin

Have I Seen it Before: Never. See my remarks about my boneheaded Dune-related decisions in my review of David Lynch’s Dune (1984).

Did I Like It: It’s going to be difficult to find something to say about this film that isn’t immediately clear from being exposed to any piece of information about the film. It is a sumptuous production, being a nearly perfect fusion of modern special effects and epic filmmaking of old. The performances are finely tuned, with excellent performers managing to inhabit a space opera with not a single one of them looking embarrassed that they are taking place in the proceedings. Preceding decades may have been filled with varying degrees of false starts, but this is unequivocally the best possible adaptation of Frank Herbert’s novel. It is all made more impressive by the fact that Villeneuve and company had to accept that they only had the resources to tell half of the story (to say nothing of the larger tale of Paul Atreides (Chalamet) and his heirs) with no guarantee that the film would catch on with audiences to necessitate the rest of the story going before cameras. It’s not a fair example, but the makers of Battlefield Earth (2000) made the same gambit and had it blow up in their face. This film had to be good, and it shows.

Had we been left with only this film, it might have been a supremely unsatisfying experience. What’s more, in stark contrast to David Lynch’s version of the story, much is left unexplained. I’m honestly surprised that the film did as well as it did, as the uninitiated might have found some of this inscrutable. Against all odds, I’m really glad that I read the book first. Take that to mean what you will.

Tags dune (2021), denis villeneuve, timothée chalamet, rebecca ferguson, oscar isaac, josh brolin
Comment
Blade_Runner_2049_poster.png

Blade Runner 2049 (2017)

Mac Boyle January 21, 2019

Director: Denis Villeneuve

Cast: Ryan Gosling, Harrison Ford, Robin Wright, and (sigh, and not a good one) Jared Leto

Have I Seen it Before: Well, it's desperate to make me feel like this is a movie I’ve seen before, but…

Did I Like It: I’m absolutely the wrong crowd for this movie, but strangely, i liked it better than some other movies that shall go nameless. I’m not sure if that’s any kind of endorsement or not…

We are beset (or should I say we are receiving a bounty?) of “legacy-quels” lately, new entries in movie series that come roughly ten years or more since the last entry of the series. Older stars come back, more than likely for a quick paycheck. The movie usually has a mind to hand the baton to a new generation fo heroes that could carry on with additional sequels, should the exercise in nostalgia prove to be profitable. Many times there is some canonical jiggery pokery to remove more embarrassing entries from the collective consciousness. Creed (2015), Star Wars: Episode VII: The Force Awakens (2015), Halloween (2018), Star Trek (2009), X-Men: Days Of Future Past (2014), Tron: Legacy (2010), and… ahem… Indiana Jones and The Kingdom of The Crystal Skull (2008). 

Some times the films are quite enjoyable, and inject new life into movie series long thought dead. Often Harrison Ford is in them. I’m still waiting for Die Hard In A Presidential Library, Son of Fugitive, and Still Witnessin’.

And so we are brought to Blade Runner 2049. I’m late to the party, mainly because it is with some shame that I admit that the original Ridley Scott-directed film has never done much for me. I’ve never really cared about picking apart the various different versions of the film. I’ve never really been concerned whether or not Deckard (Ford) is actually a replicant or not. If I’m reaching for a loose Phillip K. Dick adaption, I’m much more likely to reach for Total Recall (1990) or Minority Report (2002). 

So, when met with a legacy-quel to a film for which I don’t have a lot of affection, what is there for me to enjoy. Inevitably, this type of film trades in wholesale nostalgia for the previous films in the series, so if Villeneuve and company are doing the job Warner Bros. hired them to do, I’m not going to like what they are cooking. It’s nearly guaranteed.

And yet, the film does reach for more plot than fashion, and for enough of a new aesthetic (in parts) that I dare say I enjoyed myself. Does that mean the film is successful in its goals? I’m not entirely sure. You may have to ask someone with affection for Blade Runner. I’m not that guy.

Tags blade runner 2049, denis villeneuve, ryan gosling, harrison ford, robin wright, jared leto
Comment

Powered by Squarespace

Party Now, Apocalypse Later Industries

Where creativity went when it said it was going out for cigarettes.

Where creativity went when it said it was going out for cigarettes.