The Terminal (2004)

Director: Steven Spielberg

Cast: Tom Hanks, Catherine Zeta-Jones, Stanley Tucci, Chi McBride

Have I Seen it Before: Oh, sure. One of those movies I saw during a summer in Fort Worth where I saw everything, mainly because what else does one do in Fort Worth*.

Did I Like It: I seem to remember in my recent review of 1941 (1979) that I wonder what Spielberg’s career might have become if he his first comedy had been either funny or a hit. It took him the better part of twenty years to come back around to it, but he found the right combination to try again. Sure, one might argue that Always (1989) and Catch Me If You Can (2002)** are comedies, but neither is played largely for laughs.

Harnessing the pure charm which made Frank Capra’s films work, Spielberg finds the right tone. And by that pure charm, I mean having Jimmy Stewart in the film is that right combination. Given that Stewart died in 1997, putting Tom Hanks to work got the same effect done.

That all sounds like I might be denigrating the movie with some faint praise, but Spielberg utilizes some real craft to make such a gentle film feel like it is effortless. Coordinating the large set—what? airports weren’t wild about film companies shooting in their international terminals a couple years after 9/11?—to make it always seem interesting and almost never forces me to focus on just how much a multi-story Borders Bookstore ages the whole thing is something more people should be analyzing to death.

*This doesn’t even try to cover all the other summers where I committed to see anything and everything that came out. Maybe there just isn’t anything to do in Texas or Oklahoma.

**Looking over the filmography Spielberg made both Indiana Jones and the Last Crusade (1989) and Minority Report (2002) in the same year as each of those examples. The man may not be human.

Beavis and Butthead Do The Universe (2022)

Director: John Rice, Albert Calleros

Cast: Mike Judge, Gary Cole, Nat Faxon, Chi McBride

Have I Seen it Before: Nope.

Did I Like It: The animation may be upgraded—and haltingly at that—past the point where it has any remaining charm from its 90s roots, but I’ll be damned if I wasn’t laughing pretty consistently from beginning to end. In a year surprisingly full of multiverse-themed films, it proves to be my second-favorite example, right behind Everything Everywhere All At Once (2022) but oddly more satisfying than the perfunctory Doctor Strange in the Multiverse of Madness (2022).

The movie is completely self-aware about its position in the universe, quite literally. Pitching itself as the dumbest science fiction movie ever made (it might feel a rivalry with Mike Judge’s other opus, Idiocracy (2006)) and luxuriates in that role. The plot is almost not worth mentioning, but due to the almost instinctual stupidtiy of NASA (the organization and their employees prove dumber than the protagonists) Beavis and Butthead (both voiced by Judge) are flung from the late 90s where we last left them, and into a COVID-less, but no less fraught 2022.

Do B and B have any place in our current era? If we take them on face value—as more than a few parents, including my own—did back in the day, almost certainly not. They are so unrepentantly venal that they make the cast of Seinfeld look like the Missionaries of Charity. And where comedies of the bleak-hearted surely lean on farce, but at his best Judge harnesses societal satire and seamlessly fuses it with the farce. B and B may be grotesquely stupid, but they were forged that way by the time which they came from, and as I type these words I realize that 2022 has been waiting for them to come home this whole time. Could they continue on like this? They’ve gotten this far, who am I to say?