To Catch a Thief (1955)

Director: Alfred Hitchcock

Cast: Cary Grant, Grace Kelly, Jessie Royce Landis. John Williams

Have I Seen it Before: Never. I know, I’m not very happy with myself, either. Luckily, tripping over it during a rainy Santa Fe day (they exist, I assure you) on vacation recorded from TCM was something of a coup, as this one is somehow missing from all the Hitchcock collections I can’t help buying.

Did I Like It: Even the master has to have a weak one, right? I start a Hitchcock film expecting it to be a finely tuned plot machine designed to deliver thrill after thrill. That’s just not the case here. Grant and Kelly are nice to look at, and nice to see play off of one another. The locations are the kind of pure movie escapism that usually keep the worst of the James Bond films from being complete bores. But is the movie thrilling? Does it insist you look at the story without blinking for fear of missing something key to set up the surprises that are to come? Is there even that much jewel thievery going on?

The film is charming, but low on thrills. One wonders how Hitchcock got through the exercise, relying solely on the charms of his two leads to get the film over the hump. I would say watch the film, but marshal expectations. Or maybe opt for North by Northwest (1959). It’s got all the charm and all the thrills. You don’t have to settle for one or the other.

And now I would be remiss if I didn’t say a word about motion blurring. As a movie seen at my parents’ house, the movie played less like a Vistavision wonder of the 50s, and more like an Eastern European soap opera shot sometime earlier that afternoon. Normally, I would have made a stink about the matter. I merely asked if they knew about motion blurring, they said they didn’t, and I let the matter lie there. Be nice to your parents, but if they’re not involved, turn off your motion blurring, would ya?

North by Northwest (1959)

Director: Alfred Hitchcock

Cast: Cary Grant, Eva Marie Saint, James Mason, Martin Landau

Have I Seen it Before: It’s one of those movies which, no matter how many times I’ve seen it, it feels like I haven’t seen it enough. 

Did I Like It: I usually try not to look at any other reviews of a movie before I write the review, but in this case I couldn’t help but notice the film’s Rotten Tomatoes rating of 99%.

Who could possibly bring themselves to give a negative review to North by Northwest? When I found out that the only dim view of the the film apparently comes from a contemporary review featured in The New Yorker, I seriously contemplated cancelling my subscription. The reviewer declared that with this film, Hitchcock had irretrievably descended into self-parody. One can’t help but wonder what he might have made of Psycho (1960). Bad takes can certainly have a shelf life...

How could anyone possibly not be head-over-heels in love with this movie? More moments from the aforementioned Psycho may have seeped into the collective cultural consciousness, but there’s a reason that every espionage thriller made after this film is helplessly trying to toil in its shadow. I’ve often said From Russia With Love (1963) is far away the best of the Bond movies (and that every Bond movie since is well-advised to reach for that standard), but even that peak of Bondanalia wants so desperately to be this movie, one can’t help but feel an inch of pity for it. Even a movie like Follow that Bird (1985) is built upon its back. Go watch it and tell me I’m wrong. My wife even thought I had been watching Batman (1966) from the other room, and honestly I can see the corollaries, and not just aurally. I could go on and on. 

Any film past its sixtieth birthday would be forgiven if parts were to have aged unfortunately, but no one seems to have given that permission to Hitchcock. Every second of tension locks into the viewer. Every joke in the film—and the film is deeply, deeply funny—still works and doesn’t sour after the wisecracks are now eligible to collect Social Security*.

It is a perfect Hollywood entertainment. As much as nearly every movie after it apes it in hopes of recapturing its magic, the movies were also originally created in hopes the form would be brought to full fruition with something like this.

*I don’t know how great I feel about that remark, but I digress...