Party Now, Apocalypse Later Industries

Where creativity went when it said it was going out for cigarettes.
  • Home
  • BOOKS
    • THE ONCE AND FUTURE ORSON WELLES
    • IF ANY OF THESE STORIES GOES OVER 1000 WORDS...
    • ORSON WELLES OF MARS
    • THE DEVIL LIVES IN BEVERLY HILLS
    • A LOSS FOR NORMALCY
    • RIGHT - A NOVEL OF POLITICS
  • PODCASTS
    • Beyond the Cabin in the Woods
    • THE HOLODECK IS BROKEN
    • THE FOURTH WALL
    • As The Myth Turns
    • FRIENDIBALS! - TWO FRIENDS TALKING ABOUT HANNIBAL LECTER
    • DISORGANIZED! A Criminal Minds Podcast
  • MOVIE REVIEWS
  • BLOGS AND MORE
    • Bloggy B Bloggington III, DDS
    • THE HOLODECK IS BROKEN BLOG
    • REALLY GOOD MAN!
  • Home
    • THE ONCE AND FUTURE ORSON WELLES
    • IF ANY OF THESE STORIES GOES OVER 1000 WORDS...
    • ORSON WELLES OF MARS
    • THE DEVIL LIVES IN BEVERLY HILLS
    • A LOSS FOR NORMALCY
    • RIGHT - A NOVEL OF POLITICS
    • Beyond the Cabin in the Woods
    • THE HOLODECK IS BROKEN
    • THE FOURTH WALL
    • As The Myth Turns
    • FRIENDIBALS! - TWO FRIENDS TALKING ABOUT HANNIBAL LECTER
    • DISORGANIZED! A Criminal Minds Podcast
  • MOVIE REVIEWS
    • Bloggy B Bloggington III, DDS
    • THE HOLODECK IS BROKEN BLOG
    • REALLY GOOD MAN!

A Blog About Watching Movies (AKA a Blog in Search of a Better Title)

Wendell & Wild (2022)

Mac Boyle November 1, 2024

Director: Henry Selick

 

Cast: Keegan-Michael Key, Jordan Peele, Lyric Ross, Angela Bassett

 

Have I Seen It Before: Never. Still on the lookout for potential Cabin movies, and with Peele’s latest effort pushed from this holiday season to sometime next fall, I went about widening the lens a bit.

 

Did I Like It: All of the elements are there. Key and Peele have created the most consistently satisfying sketch comedy show of the last twenty years, and that doesn’t even begin to cover Peele’s current metamorphosis into the legitimate heir to both Alfred Hitchcock and Rod Serling. Throw in Selick, whose The Nightmare Before Christmas (1993) remains the gold standard of spook stop motion animation, and the entire affair seems destined for greatness.

 

And yet, the film is kind of a miss. I’m willing to write most of that off to pacing issues. Key and Peele play off of each other with the easy chemistry they brought to their sketches*, but every other character feels like they are reading their lines alone in a an undisclosed location, likely because they probably were. There’s a way to make dialogue recorded separately sound like it has the life of real conversation, but it is rarely on display here. Here, most lines have the self-aware delivery of someone reciting a monologue.

 

I couldn’t help but be a little disappointed in the design of things, too. Things are moody and creepy, but the titular characters come across as nothing much more imaginative than light pointy-eared caricatures of their performers.

Ultimately, if the pitch for this movie appeals to you, you might be better off watching any of Selick’s, Peele’s, or Key and Peele’s work. It’s heart is in the right place, just not quite its craft.

 

 

*I still marvel a little bit that they got their start on MadTV, a show I found to be an absolute chore to watch after attaining the age of 11. Maybe their years—towards the end of the show’s run—are better? I may never know.

Tags wendell & wild (2022), henry selick, keegan-michael key, jordan peele, lyric ross, angela bassett
Comment

Black Panther: Wakanda Forever (2022)

Mac Boyle November 30, 2022

Director: Ryan Coogler

Cast: Letitia Wright, Lupita Nyong’o, Danai Guria, Danai Guria, Angela Bassett

Have I Seen it Before: Nope. Feel weirdly guilty coming to it so late, but holiday movies are a weird feast or famine schedule for me.

Did I Like It: It’s astonishingly difficult to make a good movie.

Things don’t get any easier when you’re trying to make a movie in the studio system, to say nothing of the largest and still growing studio conglomerate on earth.

It’s even more bordering on the improbable that someone can make a good movie out of a sequel (to say nothing of the thirtieth entry in a larger franchise).

Can a person possibly make a good movie when all of those things are swirling around him, and the star of his franchise died?

Apparently Ryan Coogler can*. Filled with all-time great performance on top of all-time great performance, and held together with a plot which actually holds up under it’s run time (for the most part; I’ll get to that in a minute), and enough spectacle to make me somehow less interested in what Avatar: The Way of Water has to offer (and completely disinterested in anything Aquaman and the Lost Kingdom, should that film ever see the light of day). I’m almost tempted to give the film a pass on my usual criticism of most films, in that every film needs more Lupita Nyong’o*. The amount of Nakia we do get in the film is still time well spent.

Is the film too long? Almost certainly, and that is the only problem I have with the whole thing. Honestly, find a different way to introduce a few (hardly load-bearing) pieces of exposition, and Martin Freeman lifts right out of the movie. Right along with him you can remove Julia Louis-Dreyfus, and for that matter (and it pains me to say so) Richard Schiff. All of those scenes seem unenthusiastically interested in setting up more of the Dark Avengers stuff that was started in Disney+’s series, Falcon and the Winter Soldier. I know, I know… A Marvel movie is weighed down by the strange need to set up other films. I was surprised, too.

*Sorry, J.J. Abrams. I’m sure you have many other fine qualities.

**Except Us (2019). That one has precisely the correct amount of Nyong’o. Just barely…

Tags black panther wakanda forver (2022), ryan coogler, letitia wright, lupita nyong’o, dania guria, angela bassett, marvel movies
Comment

Powered by Squarespace

Party Now, Apocalypse Later Industries

Where creativity went when it said it was going out for cigarettes.

Where creativity went when it said it was going out for cigarettes.