Party Now, Apocalypse Later Industries

Where creativity went when it said it was going out for cigarettes.
  • Home
  • BOOKS
    • THE ONCE AND FUTURE ORSON WELLES
    • IF ANY OF THESE STORIES GOES OVER 1000 WORDS...
    • ORSON WELLES OF MARS
    • THE DEVIL LIVES IN BEVERLY HILLS
    • A LOSS FOR NORMALCY
    • RIGHT - A NOVEL OF POLITICS
  • PODCASTS
    • Beyond the Cabin in the Woods
    • THE HOLODECK IS BROKEN
    • THE FOURTH WALL
    • As The Myth Turns
    • FRIENDIBALS! - TWO FRIENDS TALKING ABOUT HANNIBAL LECTER
    • DISORGANIZED! A Criminal Minds Podcast
  • MOVIE REVIEWS
  • BLOGS AND MORE
    • Bloggy B Bloggington III, DDS
    • THE HOLODECK IS BROKEN BLOG
    • REALLY GOOD MAN!
  • Home
    • THE ONCE AND FUTURE ORSON WELLES
    • IF ANY OF THESE STORIES GOES OVER 1000 WORDS...
    • ORSON WELLES OF MARS
    • THE DEVIL LIVES IN BEVERLY HILLS
    • A LOSS FOR NORMALCY
    • RIGHT - A NOVEL OF POLITICS
    • Beyond the Cabin in the Woods
    • THE HOLODECK IS BROKEN
    • THE FOURTH WALL
    • As The Myth Turns
    • FRIENDIBALS! - TWO FRIENDS TALKING ABOUT HANNIBAL LECTER
    • DISORGANIZED! A Criminal Minds Podcast
  • MOVIE REVIEWS
    • Bloggy B Bloggington III, DDS
    • THE HOLODECK IS BROKEN BLOG
    • REALLY GOOD MAN!

A Blog About Watching Movies (AKA a Blog in Search of a Better Title)

220px-Taxi_driver_movieposter.jpg

Taxi Driver (1976)

Mac Boyle October 29, 2019

Director: Martin Scorsese

Cast: Robert De Niro, Jodie Foster, Cybil Shepard, Albert Brooks

Have I Seen It Before?: Never. They’re coming to take my official film snob membership card as I type this.

Did I like it?: It’s an experience, but I’d have to be a certain kind of person (read: Hinckley) to say I really enjoyed it.

The movie is such an insistent attempt to make a film that eschews the usual trappings of Hollywood entertainment, but Bernard Hermann’s score (his last, he passed away before the wide release of the film) bubbles through the movie. If you were only listening to the proceedings instead of watching, you’d be forgiven for thinking it was a romantic comedy in the early goings. Between that and the whole cowboy motif and homages to The Searchers (1956) it’s hard not to see this movie as the story of a man—and perhaps a culture at large—warped by exposure to cowboy stories that never fully came to grips with the violence that surrounds them.

And then there’s that ending. 

I’m so constantly annoyed by the rash of youtube videos “explaining” the ending of like, every film released. They’re boring bordering on odious. I don’t need an explanation of Joker (2019). It’s pretty straight ahead, if wobbly. For that matter, why would anyone need the ending of a movie like Spider-Man: Far From Home (2019) explained. Most—if not all—current movies are as straight ahead in their proceedings as your basic fairy tale.

But I digress. I’ll be damned if at the end of this movie I didn’t want to rush to the internet and have the true nature of our final moments with Bickle spoon-fed to me. Thankfully—blissfully, even—there is no concrete answer. Both Scorsese and screenwriter Paul Schrader acknowledge the interpretation that after Bickle guns down the gangsters, synapses fire in his mind for the last time and he imagines a world where he ended up a hero, but maintain that their intension was to display the irony of a monster like their main character slipping into a hero’s role purely by luck, with the knowledge that he will be nowhere near that lucky the next time. I like that version of the ending better; it inflames the imagination.

Tagstaxi driver (1976), robert de niro, martin scorsese, jodie foster, cybill shepherd, albert brooks
  • A Blog About Watching Movies (AKA a Blog in Search of a Better Title)
  • Older
  • Newer

Powered by Squarespace

Party Now, Apocalypse Later Industries

Where creativity went when it said it was going out for cigarettes.

Where creativity went when it said it was going out for cigarettes.