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A Blog About Watching Movies (AKA a Blog in Search of a Better Title)

Gangs_of_New_York_Poster.jpg

Gangs of New York (2002)

Mac Boyle November 6, 2019

Director: Martin Scorsese

Cast: Leonardo DiCaprio, Daniel Day-Lewis, Cameron Diaz, Jim Broadbent

Have I Seen It Before?: Never. I’ve been kind of on a Scorsese jag lately. Thanks, Joker (2019), I guess.

Did I like it?: Yes, but to qualify that statement I will say I watched during spare moments on my phone. Thus, I’m almost entirely sure that I did not watch the film in the way Scorsese intended to take it in, nor can I weigh in as to whether or not the movie is too long.

I’m a bit awestruck that this film ever got released. It is the meeting point of three of the most wildly controlling forces in American cinema, director Scorsese, star Day-Lewis, and producer Harvey Weinstein*. That it was only delayed for a year is something of a small miracle. That most—not all, mind you—of those delays owed to 9/11 is utterly flabbergasting, especially when one considers that there’s only a single shot that could be thematically related to the incident.

Does the end product end up compromised? No, not for the most part. Day-Lewis chews through every scene he has, and as I imagine with every film in which he has appeared, he is allowed to do whatever the hell he wants. The tone of the movie around him, however warbles between the kind of deliberate crime drama Scorsese has made his life’s work, and the kind of four-quadrant easily digestible pablum dressed up in the disguise of prestige drama that was Weinstein’s second favorite hobby. It’s designed so meticulously constructed toward the goal of evoking the history it fictionalizes that one can’t help but admire and often awe at the craft on display. And yet, the music feels so all over the place in a desperate attempt to nab one more nomination for best song for Miramax’s campaign money.

Legend has it that a work print/director’s cut exists and that it allegedly feels more focused. Scorsese insists that the final cut is his director’s cut. This may be one of the only times in his output that I wish for the former, but begrudgingly accept the latter.

 

*Naturally, Weinstein has plenty of problems other than being a control freak, but I can’t be the first one to tell you that, right?

Tagsgangs of new york (2002), martin scorsese, leonardo dicaprio, daniel day-lewis, cameron diaz, jim broadbent
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Party Now, Apocalypse Later Industries

Where creativity went when it said it was going out for cigarettes.

Where creativity went when it said it was going out for cigarettes.