Party Now, Apocalypse Later Industries

Where creativity went when it said it was going out for cigarettes.
  • Home
  • BOOKS
    • THE ONCE AND FUTURE ORSON WELLES
    • IF ANY OF THESE STORIES GOES OVER 1000 WORDS...
    • ORSON WELLES OF MARS
    • THE DEVIL LIVES IN BEVERLY HILLS
    • A LOSS FOR NORMALCY
    • RIGHT - A NOVEL OF POLITICS
  • PODCASTS
    • Beyond the Cabin in the Woods
    • THE HOLODECK IS BROKEN
    • THE FOURTH WALL
    • As The Myth Turns
    • FRIENDIBALS! - TWO FRIENDS TALKING ABOUT HANNIBAL LECTER
    • DISORGANIZED! A Criminal Minds Podcast
  • MOVIE REVIEWS
  • BLOGS AND MORE
    • Bloggy B Bloggington III, DDS
    • THE HOLODECK IS BROKEN BLOG
    • REALLY GOOD MAN!
  • Home
    • THE ONCE AND FUTURE ORSON WELLES
    • IF ANY OF THESE STORIES GOES OVER 1000 WORDS...
    • ORSON WELLES OF MARS
    • THE DEVIL LIVES IN BEVERLY HILLS
    • A LOSS FOR NORMALCY
    • RIGHT - A NOVEL OF POLITICS
    • Beyond the Cabin in the Woods
    • THE HOLODECK IS BROKEN
    • THE FOURTH WALL
    • As The Myth Turns
    • FRIENDIBALS! - TWO FRIENDS TALKING ABOUT HANNIBAL LECTER
    • DISORGANIZED! A Criminal Minds Podcast
  • MOVIE REVIEWS
    • Bloggy B Bloggington III, DDS
    • THE HOLODECK IS BROKEN BLOG
    • REALLY GOOD MAN!

A Blog About Watching Movies (AKA a Blog in Search of a Better Title)

3E5CC4FD-4526-499E-9A26-DC2318FFCF28.png

Birdman or (The Unexpected Virtue of Ignorance) (2014)

Mac Boyle October 20, 2020

Director: Alejandro G. Iñárritu

Cast: Michael Keaton, Zach Galifanakis, Edward Norton, Emma Stone

Have I Seen it Before: I mean, with the Keaton Quotient (tm) alone, you knew I was going to be there as soon as it came to the local art house theater.

Did I Like It: There’s something stealthy about the appeal of this film. A film is about the state of the current state of the American stage and celebrity. It weaves in a pointedly honest depiction of mental illness with the fiction of Raymond Carver. How would such heady material be able to not only zero in on a wide audience, but end up with the Academy Award?

Well, it certainly helps that it has the cultural oddity of Keaton starring as a role only he could, that of an aging movie star whose biggest claim to fame was being walking away from a major superhero franchise in the 1990s.

It sure worked on me. The film makes fun of the people that adore Thomson for his past glories, and, well... It me. And a bunch of those types of people (again, read: me) don’t have a sense of humor about themselves. They should. We’re ridiculous.

And if the film weren’t as successful as it were, then it might feel like a bait and switch. Equal parts audacious and clever, the mere fact that the film is able to simulate the entire affair taking place in one shot would be enough to recommend it. But if it were more traditionally shot, and didn’t feature one of my favorite film actors goofing on himself, then the film would still be worth a watch. Maybe purveyors of pop culture shouldn’t reach for artistic excellence, as some of the characters in the film suggest. I just like that I can go see something that advertises itself as a superhero film, and get a little bit extra for my ticket/blu ray purchase.

Plus, I have a working theory that owing to the cathartic experience of this film, Keaton warmed up to the idea of returning to superhero films, thus the delight of Spider-Man: Homecoming (2017) and the coming wonder that is his return as the Caped Crusader, which if you’ve been reading this space over the last several years, that has been my raison d’ete du cinema.

Tagsbirdman or (the unexpected virtue of ignorance) (2014), alejandro g. iñárritu, the michael keaton theory, michael keaton, zach galifinakis, edward norton, emma stone
  • A Blog About Watching Movies (AKA a Blog in Search of a Better Title)
  • Older
  • Newer

Powered by Squarespace

Party Now, Apocalypse Later Industries

Where creativity went when it said it was going out for cigarettes.

Where creativity went when it said it was going out for cigarettes.