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A Blog About Watching Movies (AKA a Blog in Search of a Better Title)

Birds_of_Prey_(and_the_Fantabulous_Emancipation_of_one_Harley_Quinn).jpg

Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) (2020)*

Mac Boyle February 17, 2020

Director: Cathy Yan

 

Cast: Margot Robbie, Mary Elizabeth Winstead, Jurnee Smollett-Bell, Rosie Perez

 

Have I Seen it Before: Nope.

 

Did I Like It: Suicide Squad (2016) was a muddled mess of editing and miscasting. The fact that Margot Robbie’s performance as Harley Quinn was able to be a bright point in one of the more boring wide-release films in recent years definitely warrants her welcome return under different creative stewardship.

 

And the film is terrific. It brings the sensibilities of someone like Shane Black into the DC Universe. It’s a film that’s funny, the characters are likable (even when they are gleefully being unlikable), and there isn’t one point in the writing where I wonder how this thing got out of the studio. This would automatically put it above most DC films released in the last ten years.

 

Like Wonder Woman (2017) before it, Birds of Prey manages to bring a DC character to life without making large swaths of the audience alternately bored and uncomfortable. Now, granted, there are choices in this movie that will piss off the contingent of movie internet who have spent the last several weeks telling anyone who would listen that Parasite (2019) stole something very precious from <Joker (2019)>, but those types of people have enough to occupy their time so their tired complaints about the film aren’t worth acknowledging, to say nothing of dwelling upon.

 

It also may be the most sensuous breakfast porn I’ve ever seen. Seriously, I’m less than an hour past my screening of the film and I’ve wanted nothing but an egg sandwich ever since.

 

I do have two thoughts that I implore you, dear reader, to not take as complaints, but more as missed opportunities to my particular taste. There is a prolonged action sequence in the impound locker of Gotham City Police Department precinct, and it looks like any other impound lockup from any other cop movie you’ve ever seen. The film could have had a menagerie of thing taken from many of the Rogue’s Gallery. Harley could try to fell the mercenaries with an umbrella gun, and—in keeping with the themes of the film—find it utterly lacking in destructive power. A similar moment could be played out with a hand-grenade made out of a set of chattering teeth. There are other suggestions I have, but I won’t trouble you with them now. The film’s title has already received a revision since its opening, we don’t want this to be a Cats (2019) situation. In the interest of full disclosure, my wife strenuously disagrees with this though. It’s not an objective note about the film.

 

The other qualm I have with the film? No Barbara Gordon! How can you have a Birds of Prey film without including Barbara Gordon? Now, I understand DC may be angling for her own film sooner rather than later, but the question remains. For that matter, how has no live-action DC film even attempted to bring the once and future Batgirl to the screen? It boggles the mind.

 

 

*I set a minimum word-count for these reviews, and awkwardly long titles like this certainly help matters.

Tagsbirds of prey (2020), dc films, cathy yan, margot robbie, mary elizabeth winstead, jurnee smollett-bell, rosie perez
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Party Now, Apocalypse Later Industries

Where creativity went when it said it was going out for cigarettes.

Where creativity went when it said it was going out for cigarettes.